Federico Carraro
Violist Turin Regio Opera House
I am extremely satisfied by my Rosenblum viola which is a copy of a 1731 Stradivarius. I was immeadiately struck by its aesthetic and sonic beauty.The sound is full bodied yet defined and provides all the tonal qualities that make up that characteristic viola sound.
Francesco Manara
Solist Concertmaster of “Teatro alla Scala” Orchestra, Milan.
The sound of Yael Rosenblum's violins is very sweet and uniform on all 4 strings and it possesses a roundness that permits the optimum projection even in halls with more difficult acoustics.
Menahem Breuer
Concertmaster of the Israel Philharmonic Orchestra
I own a Rosenblum viola, the quality of sound and the power is outstanding indeed...The response of the instruments and the evenness of all four strings makes the playing very enjoyable and so satisfying.
Simone Gramaglia
Violist, Quartetto di Cremona
The capacity of combining beauty of sound, ease of sound production and comfort makes Yael one of the best makers I have ever met.
Mujan Hosseinzadeh
Violist, New York
After trying many violas in New York City and some parts of Italy, finally I found my favorite viola in one of my trips to Cremona. It’s very comfortable to play and responsive with a warm and deep sound. I’m very happy with my purchase!
Paula Moya Castellano
Violist, Spain
I'm playing this amazing Yael Rosenblum's viola since two years ago and I find it perfect for me. This instrument projects the sound easily as it has a lovely, round and warm sound. And I love its Honey-brown varnish, which makes its appearance really beautiful. And Yael is a very professional violin-maker, but also is a very kind and gentle woman, so that's why it's always a pleasure to find people like her.
Gianrico Righele
First violinist of the Florence Opera House
I was lucky to find such a great maker that each of her creations is a prestige artistic object and sounds amazingly.
Ilya Konovalov
Concertmaster of the Israel Philharmonic Orchestra.
The ease and comfort of producing a good sound on Yael Rosenblum’s violin is similar to what I feel when I am playing on the orchestra’s Stradivarius violin. Her violin is unlike other modern instruments I have seen. The “old Italian” sound is not only a pleasure to listen to but also the beauty of the instrument is a delight to see.